A project by Kent Monkman
Kent Monkman’s Shame and Prejudice: A Story of Resilience was created as a response to Canada 150 sesquicentennial celebrations. Kent Monkman’s gender bending, time travelling alter-ego, Miss Chief Eagle Testickle is the guide on a journey through Canada’s history that starts in the present and takes us back to the years around Confederation. Miss Chief leads us through the harsh urban environment of Winnipeg’s north end and contemporary life on the reserve, and all the way back to the extermination of the bison, addressing some of the darkest chapters of Canada’s past and narrating a story of Canada through the lens of First Nations’ resilience.
As both artist and curator of the exhibition, Monkman places his own paintings, drawings and sculptural works in dialogue with historical artifacts and artworks borrowed from museum and private collections from across the country.
Due to spatial restrictions the exhibition has not been presented in its entirety.
Kent Monkman is a renowned Canadian artist and curator of Cree ancestry who works across media, including painting, film/video, performance and installation. He has had solo exhibitions at numerous Canadian museums including the Montreal Museum of Fine Art, the Museum of Contemporary Canadian Art in Toronto, the Winnipeg Art Gallery, and the Art Gallery of Hamilton. He has participated in various international group exhibitions including: The American West, at Compton Verney, in Warwickshire, England, Remember Humanity at Witte de With, Rotterdam, the 2010 Sydney Biennale, My Winnipeg at Maison Rouge, Paris, and Oh Canada!, MASS MOCA. Monkman has created site specific performances at the McMichael Canadian Art Collection, The Royal Ontario Museum, and at Compton Verney, he has also made Super 8 versions of these performances which he calls “Colonial Art Space Interventions.” His award-winning short film and video works have been screened at various national and international festivals, including the 2007 and 2008 Berlinale, and the 2007 and 2015 Toronto International Film Festival. Many of his media works are made with his long-time collaborator, Gisèle Gordon. His work is represented in numerous public and private collections including the National Gallery of Canada, the Denver Art Museum, Montreal Museum of Fine Arts, Museum London, the Glenbow Museum, the Museum of Contemporary Canadian Art, the Mackenzie Art Gallery, the Art Gallery of Ontario, the Smithsonian’s National Museum of the American Indian and the Vancouver Art Gallery. He is represented by Pierre-François Ouellette art contemporain in Montreal and Toronto, Trepanier Baer Gallery in Calgary and Peters Projects in Santa Fe.
Download the brochure: Shame and Prejudice: A Story of Resilience,
Excerpts from the Memoirs of Miss Chief Eagle Testickle
Curatorial Tour with Kent Monkman
Saturday 20 January, 2 pm
Artist/Curator Talk: Kent Monkman
Saturday 20 January, 6:30 pm
Thursday 25 January, 12:15–1 pm
Storying Resilience with the Aboriginal Youth Leadership Program
Thursdays, 25 January, 8 February, 8 March and 12 April 2018, 3–6 pm
Two-Spirit Archives and Imaginaries
Sunday 4 February, 11 am
Kent Monkman, The Scream, 2017, acrylic on canvas. Collection of the Denver Art Museum, Native Arts acquisition fund.
Poundmaker’s Moccasins, 1875-1890, glass beads, painted rawhide from parfleche container, smoked brain-tanned buffalo hide. Collected by Walter Gouin from Chief Poundmaker, c.1875-1880. Canadian Museum of History.
Kent Monkman, The Subjugation of Truth, 2016, acrylic on canvas. Collection of Donald R. and Beth Sobey
Kent Monkman, The Daddies, 2016, acrylic on canvas. Private Collection
Kent Monkman, Death of a Virgin (After Caravaggio), 2016, acrylic on canvas. Collection of Donald R. Sobey